Gaye Chan in Minneapolis!!!
Posted: 03/29/2010 Filed under: ART, New exhibition | Tags: Form + Content Gallery, Gaye chan, Traffic Zone Gallery Leave a comment »
Department Chair Gaye Chan will have her work included in the upcoming international exhibition Love Never Dies showing atForm + Content Gallery and Traffic Zone Gallery in Minneapolis, Minnesota. This international exhibition explores the themes of marriage, family, relationships, aging,and generational change in the LGBTQ communities. The artworks were produced with a variety of media including collage, digital formats, film/video, photography, printmaking, and sculpture.
Love Never Dies will show at Form + Content Gallery from May 20- June 27, 2010 and will show at Traffic Zone Gallery from May 20 – July 16, 2010. Opening reception is June 5, 2010 7-10 pm, at both galleries the same night.
Custom ETC…
Posted: 03/24/2010 Filed under: Culture | Tags: custom bike, Custom car, Japanese motorcycle gang, ZOKU Leave a comment »I love seeing people custom make their possession such as bike, bicycle, car, clothing, etc… and it is even more interesting to see when their aesthetic principles override the original function and contexts.
なんだか知らんけどすげーー。
Kids putting some motorcycle custom parts on their bicycle.
Beautiful Japanese motorcycle gang bike. The idea of aerodynamics and comfort are out the window.
DECO-TORA / デコトラ
Posted: 03/24/2010 Filed under: Culture | Tags: Custom Truck, DECO- TORA, Japanese Truck Leave a comment »Google x Akira Kurosawa
Posted: 03/22/2010 Filed under: Culture | Tags: Akira kurosawa, Google Leave a comment »
What a postmodern hybrid. I think the house in the background supposed to be from Seven Samurai.
David Dilworth (aka DigDug) on Above Ground
Posted: 03/20/2010 Filed under: ART, Culture | Tags: Above Ground, digdug, Uncommon Records 3 Comments »DigDug, artist/producer just did an interview with Above Ground. His new album will be coming out next week (March 23rd) from Uncommon Records. Check it out!!!
Ecology (true cargo bikes in Japan)
Posted: 03/19/2010 Filed under: BIKE, Culture | Tags: cargo bike, homeless bike, Japanese homeless, real-car Leave a comment »Every time I go back to Japan, two things always catch my attention, homeless carrying bags full of empty cans on his bike and old Japanese cargo bike called Riacar (rear car). As Design technology advances, many new ideas and inventions fill our lives. At the same time, I am more intrigued by these simple and old methods which represent sense of creativity, flexibility and truthfulness.
世の中はエコビジネスで盛り上がっているようだけど、昔のリアカーとかホームレスの空き缶集めほど環境や自然にやさしいじゃないかな。
CUTTLEFISHMASH
Posted: 03/14/2010 Filed under: ART | Tags: ART, contemporary art, Cuttlefish, MASH SF, National Resource Center for Cephalopods, Roger Baba, ryuta nakajima, track bike Leave a comment »KING of KONG (Mr. Hank Chien 1,061,700)
Posted: 03/14/2010 Filed under: Culture | Tags: Donkey Kong, hank chien, world record Leave a comment »Hank Chien just broke the “Donkey Kong” World Record at 1,061,700. It took him 2 hours 35 minutes on the machine.
Congratulations!!!
Mike Bregel
Posted: 03/08/2010 Filed under: New exhibition | Tags: ART, contemporary art, Mike Bregel 1 Comment »Mike Bregel will be having his BFA show this month. He is making some very interesting OCD drawings. I am curious where this kid will be going from here. Here are some of his drawing s which will be included in the show.
Clarence Morgan
Posted: 03/07/2010 Filed under: ART | Tags: abstract painting, Clarence Morgan, contemporary art Leave a comment »Clarence Morgan just sent me images of his recent works. I love his new paintings which have a great sense of repetitions and permutations. For some reason, a painting looks its best in a studio.
There are more paintings on his website. Check them out.
Artist Statement:
My continued embrace of drawing is actually a return to a practice that I have come to accept as the cornerstone of my artistic ambition. Drawing is not only the foundation of painting from my perspective but it also symbolizes the prospect of a certain type of visceral intelligence. This astuteness is made possible through the function of a disciplined formal structure, repetition and the ability to locate order within arbitrary situations. I am now confident in my view that drawing exist as an authentic record of the process and experience of thought itself instead of simply a visual reference to the material objects around us. It is drawing that underscores my studio practice no matter if the end result is a painting, print, sculpture, or collage. The fullness of whatever ideas, if any, that might be revealed in my work can be detected in the way drawing makes itself known as a vehicle of thought–as a way of responding to whatever is going on internally. As an artist, I am interested in pursuing the kind of collective thinking and sustained application of thought that unfolds slowly over time and with humbleness. The forms, shapes and linear elements in each composition unfold differently depending on random visual associations, spatial dynamics and emotive inclinations. Intuition and my discernment of how form and line are activated in pictorial space serve as the catalyst for my studio practice.
Clarence Morgan



















